Jul 162022
 

Charles Wendell Townsend, MD was born in Boston in 1859, “of good old New England stock” (as an “In Memorium” piece by Glover Allen in The Auk puts it). He developed an early interest in birds, which at the time mostly involved collecting eggs and shooting “specimens”. In 1885, Townsend graduated from Harvard Medical School as a Doctor of Medicine. He married Gertrude Flint of Brookline, Massachusetts, and set up a private practice in Boston. In 1892, he built a summer house on a ridge overlooking a coastal marsh in Ipswich, Massachusetts, just north of Cape Ann. He would spend both summer vacations and weekends there over many years, increasingly opting to observe nature with binoculars and telescope instead of a gun. His particular interest was the land and shore birds frequenting the area, but he also closely observed changes in the dunes over time; the dunes took on a very different appearance in the summer than in the winter. He traveled extensively through the marshlands by boat, and became closely acquainted with the region’s natural history, including its geology (with its “pleasures and possibilities”). Remarking that “I have sometimes been asked what I found of interest in the dunes and marshes,” Towsend explained that “This little book [Sand Dunes and Salt Marshes] is the answer.” He published it in 1913, followed by Beach Grass in 1923. (That book will be explored in a future post.) Travel was another facet of Townsend’s life; he made several trips to Labrador, first by steamer and later by canoe, publishing several books about the region, particularly its human and bird life (at least one volume of which will also be covered in this blog at some point). He continued to travel extensively (including around the world) up to the time of his passing in 1934.

Taken as a whole, the book is a tribute to the rich natural history of the dunes and marshes of northern Massachusetts over one hundred years ago. While the text at times feels a bit dry (rather like the dunes themselves), Townsend’s photographs throughout are a delight. They depict landscapes at the time, animal tracks through the dunes, marsh haying operations, and a few images of the wildlife itself. Because he returned so frequently over many years, Townsend was able to document changes, such as the image below of a shipwreck soon after it happened and again a year later. For much of the book, I struggled a bit with his prose. I did enjoy his chapter on tracks in the dunes, where he identifies dune visitors by their tracks, and their meals by investigations of scats and bird pellets. He closes the chapter by declaring that “The study of ichnology and scatology in these sandy wastes is as absorbing as a detective story.” His bird chapters that followed were informative but so laden with bird descriptions (and, alas, no bird close-up photographs) that they were tough going. I think the main challenge to the reader is that Townsend himself is largely absent from most of the volume, stepping aside to report scientifically what he has seen. Oddly, though, the book is also interspersed with chunks of poetry — some identified by the author, others not (Townsend’s own writing?). Here, again, is that concept of the time, that effective nature writing combines both the scientific and the poetic sensibilities. Unfortunately, in this case, the two are mostly kept separate.

The tone changes when Townsend reaches the salt marsh. Here, his voice strikes an enthusiastic, joyful tone that is uncommon in the rest of the book. Consider this passage describing the salt marsh in late summer:

All the marsh vegetation is at its height of luxuriance in mid-August. Then the marsh lies brilliant in the sunlight, a broad expanse, flat as a floor and glowing in yellow-greens, touched here and there with washes of buff and of chestnut.

Fringing its upper edge is the broad band of the mourning black-grass, while the rich dark green of the thatch threads invisible serpentine creeks, and borders the ribbons of water that wander hither and thither like tortuous veins through the marshes, reflecting the brilliant blue of the skies. There are wonderful plays of light and shade as cloud shadows chase each other over the surface of the marshes, or as the lengthening shadows of the hills extend their range with the declining sun. On windy days the tall thatch bends before the blasts, and shimmering waves like those on the surface of the water pass over it.

On such days, with the wind in the north- west quarter, the air is exceedingly clear, and every wooded island and distant hill stands out with great distinctness, while the creeks take on an intense blue which contrasts strongly with the light green of the marshes.

The tides creeping over the sand flats, swell- ing the creeks, obliterating the brown banks and drowning the tall thatch, bursting out in unexpected veins and pools throughout the marshes,-all this, notwithstanding its twice daily repetition, is never other than a miracle.

or this passage about exploring the salt marsh creeks by boat at low tide:

To float down in a canoe with the ebb tide, to explore the narrow channels now sunk deep below the marsh level, to surprise the marsh birds on the broad sand and mud flats, to push over the waving forests of eel grass and their varied inhabitants, affrds much enjoyment, and opens up an entirely different world from that of the same water courses when they are brimming over onto the marsh. Partly from prejudice, partly from ignorance, dead low tide is not appreciated as it deserves. The clean sand of the estuaries and the fine mud of the smaller creeks and inlets, and the clear water of the sea, are all very different from the foulness to be found at low tide in the neighborhood of sewer-discharging cities.

For the reader of today, a clear theme throughout this book is the impact of humans upon nature, already underway in the 1910s and 1920s. Townsend notes the ongoing increase of invasive species, including beach wormwood (a plant), and the European periwinkle (a snail). He notes that deer numbers are up in the region, compared to their total absence in Thoreau’s day (1853), partly due to highly protective hunting laws in eastern Massachusetts, but also resulting from the extirpation of wolves, lynxes, panthers, and Indians from the region. Harbor seals, Townsend observes, are starting to return to the coast; until 1908, Massachusetts placed a bounty on them, intended as a boon to fishermen afraid of seals jeopardizing their livelihoods. Finally, there is mention of the impacts of the millinery trade on birds, specifically common terns:

Not so many years ago various fragments and the whole skins of these beautiful birds were fastened on women’s hats, just as scalps and feathers are fastened on the head-dresses of savages. Thousands of the birds were shot down where they could be most easily obtained. namely, on their breeding grounds, for they are plucky little birds and valiantly attack any marauder who intrudes on their homes, and they do not seek to escape. These, as well as other species of birds, were greatly reduced in numbes by this cold-hearted combination of fashion and slaughterers, when, through the strenuous efforts rof the Audubon Society ad of ther bird lovers, the killing was stayed, and, too the great joy of all naturalists, the graceful birds are again increasing.

Meanwhile, the situation for piping plovers and other shore birds remained grim. Consider the tragic fate of the immature sanderlings, who endure a barrage of guns every fall:

In the middle of August the young, sadly inexperienced, arrive, and in their tameness fall an easy prey to the gunner. They are beautiful birds, with faint smoky bands across their white breasts. It is a great pleasure to watch a flock as they crowd together along the shore, probing every spot of sand for the small molluscs and crustaceans which consti- tute their food. As the season advances our pleasure is somewhat dimmed by the fact that cripples, with a foot shot away or blood-stained sides, are common in their ranks.

The piping plovers, another shorebird species, are on the path to extinction:

Up to half a dozen years ago the piping plover bred regularly in the dunes and laid its eggs in the sand. It belongs to a dying race, and although it is protected by law at all seasons, I fear this is not sufficient to stop its path to extinction. So long as the law permits the shooting of other plovers of the same size and the small sandpipers, one cannot expect the ordinary gunner to discriminate, as in fact he is unable to do, and the piping plover is shot with the rest. Only by stopping all shooting, or by the creation of bird refuges, can the tendency to extinction of this and other shore birds be prevented.

The 1925 “New Edition” of this book (which I read) adds a hopeful footnote: “The passage of the Federal Migratory Bird Act has since stopped the shooting of most of our shore birds.” Indeed, despite its grim moments (for instance, disparaging “these degenerate times” for all the wanton shooting of wildlife), even the first edition of 1913 manages to strike a somewhat hopeful note, at least in regards to seabird protection:

What a joy it would be to have a return of the old conditions, when terns and piping plover bred in the dunes, and when shore birds large and small thronged the beaches, and when the sea teemed with water fowl. Many of the birds I have mentioned in this chapter are on the way to extinction, some have already disappeared forever; a few, happily as a result of protection, are increasing. In Japan it is said that when travelling artisans see an eagle, they take out their sketching tablets and record its beautiful shape and attitudes. The barbarians of this part of the world try to shoot it, a fate they have often meted out to every large or unusual bird they came across, even if it were of no value to them, and they left it to rot where it fell. Fortunately times are changing and the people are gradually awakening to the idea that money value in food or plumage, or even in work done for man, is not the only thing for which birds should be protected. We are also beginning to realize that the interest which finds pleasure in the sport of bird destruction is a very limited and a very selfish one, and that the claims of the sportsman are not paramount to those of the nature student or even of the lover of natural beauty.

Jun 262022
 

If you happen to search this book by the title on Amazon or any purveyor of used and/or new books, you are likely to encounter quite a few hiking guides to New England. This is not one of them. The author, Charles Goodrich Whiting (1842-1922), lived and worked in the Springfield, Massachusetts area, and clearly spent many hours out-of-doors. Yet while he writes fondly of the natural landscape (particularly its botanical elements), he does not report on any actual walks he has taken. The frontispiece photo shows him taking a break on a hike up Mount Tom; a brief statement about the photographs (in stunning sepia) mentions “constant companions” that I assume accompanied his hikes; but only once does he report on an actual walk. Even then, all we know is that he and several others climbed the south side of Mount Tom one autumn, walking along the ridge and finding 56 wildflower species in bloom (the first BioBlitz?). Otherwise, there is an endless cavalcade of brief essays (few more than four pages) describing seasonal offerings, mostly plants in bloom at a given time. Blended into the volume are many poems, some enchanting (works of Emerson, Whitman, and Longfellow) and others less so (his own). The third ingredient of this book is a pious Christianity that sees the natural world through a highly positive, somewhat transcendental lens. If not obsessed with the question of death, Whiting certainly brings it up frequently, reminding the reader (and himself) over and over that it does not exist. The essays themselves are arranged in an arc of the seasons, from late winter back through to midwinter. Whiting was an editor for the Springfield Republican newspaper, and author of a Sunday column, “The Saunterer.” The essays in Walks in New England were likely compiled from several years’ worth of his columns. As a result, there is a fair bit of repetition; the same wildflower appears in bloom across multiple essays. One essay may speak of particular weather conditions, but the next essay might be from another year altogether. As a work of phenology, it could have been improved, at the minimum, by an indication of the original publication dates of each piece.

Did I mention that my copy of this book, once in the library of C. J. Peacock, had many uncut pages in it? Apparently, I am the first one to have read it from cover to cover in nearly 120 years.

Now that I have thoroughly disparaged the book, I will argue that it is one that bears closer scrutiny: his Christianity would hardly be called conventional, for one. And for another, his outlook on human civilization and its environmental impacts seems far more ecologically aware than I would have suspected in 1903.

“Jesus was a pantheist…he knew no space where God was not,” Whiting declared. And while the gnostic, pantheistic Jesus is recognized in some circles today, it was certainly not the conventional perspective on his nature at the time Whiting lived. There are glimmers of this Jesus in the four gospels of the New Testament; but mostly this is the Jesus of the Gospel of Thomas, an early Christian scripture excluded from the New Testament as apocryphal. The 77th verse from that gospel reads, “Jesus said, ‘I am the light that shines upon all things. Indeed, I am all things. Everything comes from me, and everything returns to me. Whenever you split a log or turn over a stone, you can find me there.'” But Whiting’s spirituality does not stop there. Consider these passages from his book:

Let us open our eyes, our ears, our hearts to the great current of life, of which we are but a part, — how small a part or how great we cannot yet imagine…

The universe, from least atom to greatest concourse of atoms, from the simplest sensitiveness to the furthest reaches of man’s soul, is all one living being, of which man no less surely and no more truly than the amoeba is the expression…

All life is one; we are one with tree and shrub and flower, one with squirrel and bird, one even with the sinuous serpent…

On a mountain top dwells the vast Oversoul, and man accepts his place, and is silent…

Although Whiting cannot help but single out a serpent, this one is beneficent, a vital part of creation in which “everything in Nature has its value.” But alas, like Eden, this garden universe in which we exist as part of all that is also has a serpent in the darker sense. Where that evil arises, how harm can come from a part of all that is (a fragment of God?) is unaddressed. But it is there, and it is us. After another lovely passage about the beauty of Nature, Whiting interjects, “So goes on the life of earth, only interfered with by man, who does his worst to ruin and obliterate this constant impulse of life.” A few pages later, in a different essay, Whiting again disrupts a peaceful forest landscape to add social commentary: “…and as one drinks of the cold spring beneath the hemlocks, he partakes of the greatest blessing of Nature, the pure essence of her life, distilled through clouds and suns, and filtered through the channel of the holy earth, where as yet man has not arrived to delete and pollute with his many inventions.” Finally, here is one more passage of condemnation, with the added thought that what we do to nature we do ultimately to ourselves: “As for man, only he introduces a breach in the order of being, and destroys tree and flower and bird without respect to their offices, despoiling himself the worst of all.”

At various points, Whiting identifies several ways that humans have adversely impacted nature. One is deforestation; there are repeated references to “the woodsman’s axe”, and Whiting notes that almost all trees in the region are no older than 30 years. Another is air pollution, “the soft coal smoke that hangs over the valley,” an inevitable by-product of industrialization, and entirely unregulated at the time. The steam railroads, meanwhile, were sparking many fires along their routes. Yet another destructive force is the hunter:

Now all the forest regions would be full of squirrels, rabbits, foxes and others of their kin, — of grouse and woodcock, too, — were it not for the hunters, who almost outnumber the game. The woodland on our western hills abounded in these charming creatures, 40 years ago, but now there are probably more gray squirrels in Springfield streets than there are on Mount Tom or Mount Holyoke. It is probable that city protection may yet be the only means to preserve them.

But the worst of the hunters were those going after birds, mostly for the millinery trade. The result had been not only the decimation of many bird species but an ecological impact too, as Whiting explains:

In the state of Nature all these [insects] are kept in subjection by the birds, but since of late years the birds have been slaughered by wholesale to make women’s hats hideous, the balance is lost, and hence we have plagues of elm beetles, cottony louses, and gypsy and brown-tailed moths. Thousands of varieties of insects have found their proper food on trees from time immemorial, and might continue to do so without reminding us of the Plagues of Egypt, were it not for the women who want birds and feathers of birds on their hats… Why do they proclaim themselves murderers?

Dutch Elm Disease, spread by the elm beetle, arrived in the United States. Could it be that the depredation of birds in the late 19th and early 20th centuries helped enable this beetle to spread the blight more rapidly than otherwise would have been the case? Beyond this intriguing prospect, I have to admit that I am quite impressed by Whiting’s grasp of how food chains work, way back in 1903.

Finally, Whiting also appears to have decried in humanity what we would refer to today as a limited grasp of sustainability.

What has man been given reason for? Apparently, to make a dollar to-day. forgeting that generations are to come after him to whom this dollar will be valueless because long since expended, and whom his destruction of the very sources of life has left us poor indeed…

What the earth is to render, what society is to become, when we are gone, — these things are not sufficiently regarded by the present generation.

Wow. That sounds frightfully like our present situation. It is quite depressing, really. Whiting felt the same way. After a few pages indicting humanity for these crimes against Nature, he announces, “Let us try to escape from these difficult and dispiriting thoughts,” and returns to his descriptions of field and forest scenes. As T.S. Eliot would later observe in Burnt Norton, “Humankind cannot bear very much reality.”

Finally, about C.J. Peacock (not to be confused with J. Alfred Prufrock, also from T.S. Eliot): it turns out that another book from his collection ended up in the holdings of the University of Prince Edward Island, which happens to have established a program called Book Lives. It traces, wherever possible, the life stories of those who originally owned the books. In this case, C.J. Peacock was born in 1834 in Yorkshire, England. He apprenticed to become a draper (a very different “man of the cloth”) but ended up working as a dentist in Scarborough, England. He retired in 1911, but it is not known when he died or how his book made its journey back across the Atlantic Ocean.

Jun 112022
 

I return to Torrey as an old friend of long acquaintance. The inspiration behind the blog was the discovery of an early compilation of nature writers, which included extensive work by Thoreau, several essays of Burroughs, and a few pieces each by Bradford Torrey, Dallas Lore Sharp, and Olive Thorne Miller. All three were fairly renowned in their day, publishing extensively in the nature essay genre, particularly ornithological pieces. And all three are nearly forgotten today — so they join the inevitable company of a host of other obscure authors who never managed to achieve much fame. Was I to read all the books the three together wrote, that would take me the better part of a year. Still, I have decided to explore several works by each to gain a richer sense of how they encountered the natural world.

According to the scanty lines on him in Wikipedia, Torrey lived from 1843 until 1912. He is known today mainly as an ornithologist. He frequently contributed to periodicals, compiling his published essays into nine books. The Foot-Path Way was his third work. The first half of the book is given over to travel essays — works where Torrey ventures afield and reports on all the birds he has seen (or not seen). His ramblings take him to Cape Cod, northern New Hampshire, and Mount Mansfield, Massachusetts. His descriptions are fairly dry, a point to which he alludes upon occasion. Here, Torrey laments how rare it is that he truly rhapsodizes on the beauty of nature:

So it is with our appreciation of natural beauty. We are always in its presence, but only on rare occasions are our eyes annointed to see it. Such ecstasies, it seems, are not for every day. Sometimes I fear they grow less frequent as we grow older.

We will hope for better things; but, should the gloomy prognostication fall true, we will but betake ourselves the more assiduously to lesser pleasures, — to warbers and willows, roses and strawberries. Science will never fail us. If worse comes to worst, we will not despise the moths.

In a later essay in the volume, on the passing of birds overhead during the autumn migration, Torrey remarks upon a screech-owl he has frequently observed sitting atop a tall tree: “More than half the time he is there, and always with his eye on me. What an air he has! — like a judge on the bench! If I were half as wise as he looks, these essays of mine would never more be dull.”

The second half of the book is predominantly bird studies: essays where Torrey seeks answers to questions about bird behavior through his detailed observations and occasional anecdotes from others. For example, he explores whether or not male ruby-throated hummingbirds assist the females with incubating the eggs or raising their young. (He concludes that he suspects not, but that he is not convinced one way or the other; scientists now know that males only remain with the females for courtship and mating.) He also explores roosting behavior among American robins (which appears to be limited to young birds and unmated males). He notes the seasonal passage of long numbers of songbirds overhead, many too high up to see with the naked eye — much larger numbers than we would likely experience today. He freely confesses his fascination with birds: “A happy man is the bird-lover; always another species to look for, another mystery to solve.” That said, Torrey attributes personhood to birds, asserting that “Birds and men are alike parts of nature, having many things in common not only with each other, but with every form of animate existence.” Studying birds, therefore, can ultimately teach us about ourselves: “To become acquainted with the peculiarities of plants or birds is to increase one’s knowledge of beings of his own sort.”

More, still, might be gleaned from plants if we only knew how to interpret them. In one essay, Torrey considered similarities between plants and people; alas, he restricted himself to analogous ones, such as how roses with thorns mirror lovely people with a few uncommendable qualities. If only he had wondered more about plant behavior, he might have been far ahead of his time. The last essay is a brief paean to the white pine (which Torrey prefers to call the Weymouth pine). In one of his most poetic passages in the book, he writes about the pine’s mysterious communications:

…the pine is a priest of the true religion. It speaks never of itself, never its own words. Silent it stands till the Spirit breathes upon it. Then all its innumerable leaves awake and speak as they are moved… …the pine tree, under the visitation of the heavenly influence, utters things incommunicable; it whispers to us of things we have never said and never can say, — things that lie deeper than words, deeper than thought. Blessed are our ears if we hear, for the message is not to be understood by every comer, nor, indeed, by any, except at happy moments. In this temple all hearing is given by inspiration, for which reason the pine-tree’s language is inarticulate, as Jesus spake in parables.

My well-worn copy of Torrey’s book has had quite a history. It appears to have been given to Mary Cornelia Dodd by Ella in 1894. I managed to locate information on several Mary C. Dodds, living and deceased, but none whose life trajectories quite fit this one. There was a Mary C. Dodd who was born in Arkansas in 1973, and would have been 21 in 1894; however, she married John Archie Fain in 1891 and would likely have taken his last name, in keeping with traditions at the time.

The book found its way into the possession of Clark L. Thayer of Amherst, Massachusetts, in September 1936. Here, I was surprised to find a likely owner: Clark Leonard Thayer, who graduated from UMass Amherst in 1913, with a degree in Floriculture. In World War I, Thayer served in the Infantry and Ammunition Train. After the war, he became an instructor in Floriculture at Cornell University in Ithaca, New York. In 1928, he published Spring Flowering Bulbs: Hardy and Desirable Materials for Use in the Home Garden. At some point before 1936, Thayer relocated to Amherst, probably to teach there. He died in 1982 at the age of 91 in Amesbury, Massachusetts, and is buried in Quabbin Park Cemetery in Ware, Massachusetts.

The final “signature” is an herbal tea stain visible on Mary Dodd’s signature. That was the work of Evil Kitten, our mischievous black cat. By jumping at precisely the right angle onto a low bookshelf at the foot of the bed, he managed to knock a half-glass of tea onto the bed itself, where this book conveniently happened to be sitting a the time.