Feb 032024
 

SISTER ELLEN had never seen the trailing arbutus in its native woods. The rills and brooks near the city had been so greatly “improved” by their contact with civilization that scarcely a leaf remained to suggest the sweetness of the Mayflower. It had retreated before the ever-advancing army of flower pickers with baskets and grasping hands. With it had gone the pinxter- flower, and even the more rugged columbine had been driven to establish itself on the steep sides of the gorges, where no human foot had ever trod...

…one azalea remained in our near-by woods and a chosen few knew its station. It served us for a calendar. When its buds were pink at the points we knew that the north slope of Tower Hill would be covered with arbutus and the south side with pink azaleas. With baskets and small black pail we started, Sister Ellen, the Doctor and I.

We followed the course of the stream, making our own path as we went. Ellen pounced upon the first promising bit of green which showed under the carpet of dead leaves. It proved to be a small plant of arbutus too young to have a blossom. “Wait till we get farther down,” I advised knowingly.

We were coming to the arbutus country, by the signs which we who had been there aforetime recognized. Soon now the patient scrapings of Sister Ellen would be rewarded. We must keep near her and catch the glow of her first “fine frenzy.” For the twentieth time she dropped to her knees among the dead _ leaves. This time was her reward. There lay the most exquisite clusters, like pink ivory, delicately wrought. The faint elusive perfume enslaved us all. Down on your knees and offer homage to this woodland princess!

The turn of the century (from the 19th into the 20th) marked the apex of the Nature-Study Movement. Its purpose and principles are worthy of many blog posts if not a book or two. Inspired in part by Liberty Hyde Bailey, professor of horticulture at Cornell University, Nature-study was an approach to teaching children about the natural world through direct observation and guided inquiry. Led by an inquisitive teacher (who was likely far from being a nature expert herself), children would ramble out-of-doors, find a particular thing of interest (insect, plant, stream, etc.), and study it closely. They might be asked to sketch the object, and/or come up with different questions to ask about it. The intention was far less to teach natural history content than it was to guide children into a greater appreciation and wonder about the everyday natural landscape all around them (whether in rural places or cities). Other figures in the New York State branch of Nature-study education (there was another that emerged in Chicago) included author/educator Anna Botsford Comstock (who wrote The Handbook of Nature Study, still in print) and her husband, the entomologist and author John Henry Comstock, to whom The Brook Book was dedicated. (Comstock is “the Doctor” in the passage above.) Mentored by Bailey and the Comstocks, sisters Mary Rogers Miller (1868-1971) and Julia Ellen Rogers (1866-1958) pursued careers in Nature-study, first in Ithaca, New York, and later in Long Beach and Los Angeles, California, respectively. Early in their careers, while still in Upstate New York, they both authored nature books of their own. Encouraged by Liberty Hyde Bailey, Julia Ellen wrote a general book on trees, covering their structure, propagation, and care, along with a guide to the most common trees of the Northeast. Mary, inspired by John Comstock, wrote a book on streams with an emphasis on aquatic life, especially insects. Julia Ellen does not mention her sister, but Mary refers to “Sister Ellen” in several places, including the text above, which tells the story of Julia Ellen’s first encounter with blooming arbutus.

At first, I found The Brook Book a puzzling read. It consists of a series of vignettes chronicling nature expeditions, arranged seasonally to begin with spring and end with wintertime. But while her sister devoted several pages to explaining the design and rationale behind Among Green Trees, Mary explained the purpose behind her own book in much simpler terms: “Throughout a year a brook is captivating. It is as companionable as a child, and as changeful. It hints at mysteries. But does it tell secrets other than its own? Does it tell where the wild things come down to drink? Does it tell where the birds take their baths, or where the choice wild flowers lurk? I fain would know the story of its playfellows and dependents.” Between the lines of this playful, teasing account is some hint, perhaps, of her audience might be — the child within all of us, old and young alike.

That said, the first several dozen pages favored the young. I enjoyed the writing, but learned nothing new and encountered little of note. Then I came upon a chapter about how spiders spin their webs. Mary quoted briefly from a nature guidebook that explained how orb weavers begin constructing their webs by spinning a series of guy lines, using dry and rigid thread so that they can support the entire structure while being easy for the spider to traverse readily. Only then does the spider spin its web of sticky and elastic threads — not in concentric circles, but instead a continuous spiral. She then set out to find an orb web herself and see how it was built. Indeed, her own observations matched what she head read. But reading it alone was not enough. For my own part, reading her book almost 125 years after it was written, I confess that I had never stopped to think about how spiders build their webs. Somewhere along the line, I just assumed the webs consisted of a series of concentric circles, not single spirals. There was how it was done — hiding all this time in plain sight, in a web on the railing of a bridge over a brook. “After seeing all these things happen,” Mary observed, “we know the philosophy of the two kinds of threads, but the wonder of it is still with us.” And that wonder is the the ultimate prize of the Nature-study enthusiast. The book contains other intriguing discoveries, including a hypothesized “cow shed”, a “curious, muddy-looking” object on the stem of a shrub that John Comstock claims was built by ants to house a herd of aphids. (The aphidse secret a sugary substance that the ants feed on, receiving in exchange protection from would-be insect predators.) I admit to being skeptical regarding that one.

One of my favorite passages in the book, though, is a stern critique of a neighbor’s utilitarian outlook on the value of nature — an anthropromorphic one that, I fear, matches that of many Americans today:

we are told that both the back-swimmer and the waterboatman grow, as do other insects of their order, by successive molts or changes of skin. They reach maturity, if they escape their enemies, and spend the winter at the bottom, as did their parents.

After enthusiastically describing these business-like little creatures to a neighbor one day, even persuading her to go with me and watch them in Meadow Brook, I was chilled and fairly disgusted at her question: “What are they good for?”

How could I answer her? Of the added joy of existence which they had given to me, I hadn’t the heart to speak. Her question told me that no such “foolishness” would appeal to her. Neither could I make her understand that, so far as I was concerned, no utility need be assigned to any creature as an excuse for its presence among us. As well ask: “What use, to them, are we?” But I saw she expected me to speak up in defense of these denizens of Meadow Brook, and so I said: “Oh, food for fish!”—a lame response and totally unfounded on personal observation. A conciliatory “Umph!” assured me that my reply was entirely satisfactory, as there could be no question in any one’s mind as to the use of fish.

…that intelligent grown people should demand a reason for the existence of every other creature is nearly unforgivable. May the time soon come when the silly superstitions about animals and plants will cease to be visited upon the third and fourth generation, and supplanted by personal knowledge of nature. Man will become more tolerant of other creatures and less sure, perhaps, of his own exalted position in the universe. Let us hope that he will then see himself as others see him and begin to learn to love his neighbor as himself.

A hearty “Amen” to that, Mary! I also found myself nodding in agreement at the high value she placed on ferns — much in keeping with the Victorian fascination for them: “Who ever had enough of ferns? They are always the right thing in the right place.” I will close my account of The Brook Book with this charming passage extolling the joys of a winter nature walk:

I shall never again allow myself to be mewed up between walls of brick and mortar for any length of time. The arching tree-tops are temples which call to worship. Their voices and the murmur of the ice-rimmed stream mingle like soft music from a far-off organ. I will go often, and be lifted out of the humdrum of every-day existence. The outdoor world is full of life in winter. To know this life one needs only to be open-eyed and open-hearted; the spirit of winter is ever ready to guide, to cheer and to bless.

Among Green Trees offered quite a contrast. Julia explained that she had crafted an “all-around tree book” offering no less than four different points of view: the Nature-study side; the physiological side; the practical side; and the systematic side”. Ellen herself clearly favored the nature-study side, and I would have to concur. The portions of the book covering the wonders of buds, branches, and bark were by far the most fascinating. Indeed, once the book transitioned into chapters on planting and caring for trees (including when and how to spray them with various toxic chemicals) I lost interest. I considered reading the detailed accounts of different trees (systematic side), but opted to be satisfied with having read on the the first half of the book (though, given the oversized pages and modest font, that was still considerable text).

Although Julia comes across as a bit more sophisticated and professional in tone, she comes alive when speaking about her true passion, Nature-study. “Nature-study,” she announces, “is a keen, appreciative study of the common things around us. It means accurate seeing and clear thinking. Nature-study is the most vital idea today in education. It is studying things instead of studying about things. Under it, the commonplace becomes transfigured.” It is intriguing to note that her choice of “transfigured” echoes the religious tone of her sister’s description of tree-tops as “temples which call to worship.” There is a spiritual, transformational facet to Nature-study, one that is largely neglected (or outright avoided) in environmental education programs nowadays.

Lest we get too serious, Julie also reminds her readers of the joy that can be found learning from nature. In a chapter on how leaves are arranged on branches, she observes that “Leaf-arrangement is intensely interesting, when we come to study it. The botanists try to scare the common folks away by calling it Phyllobotany. But they can’t keep the fun all to themselves. Let us get into their pleasant game.

IJulia clearly loved trees, and went out of her way to describe them as akin to human beings. Indeed, the subtitle of her book is “A Guide to Pleasant and Profitable Acquaintance with Familar Trees“. Early on in the work, she observes that “Trees speak a language, if only we have the patience to learn it. It’s a sign language, and through it they tell us all manner of interesting things about how they make their living — about their hopes and their disappointments.” A bit later in the book, in a chapter called The Sleep of Trees, she declares that “Trees are, after all, very much like folks! …In winter, trees put on their warmest coats — a fashion set by the woodchuck and the bear — and just sleep and wait for spring! In warm weather a tree goes to sleep at sundown, and wakes up in the morning. If the sky is overcast, the tree is drowsy; if rain sets in, it goes right off to sleep.One reviewer felt compelled to remark on the “many unscientific and misleading statements” in the book, particularly her lines about trees sleeping: “We suppose that this is a reference to the photosynthetic process, but to the uninitiated this would convey the idea that the tree is actually drowsy in the same sense that animals are.” Ironically, recent research on plants has revealed that they “behave” in particular ways and even have an innate, though highly distributed, “intelligence”.

Reading books that are 100 years old or more, I sometimes find myself a bit jarred by having passed into a long-gone world. In the case of Among Green Trees, this experience took the form of images and passages concerning elm trees. Thanks to the ravages of Dutch elm disease, it has been more than 50 years now since any elms could be found in backyards and along city streets. Julia opens her book with a lengthy quote from an 1841 article by Nathaniel Peabody Rogers (her abolitionist grandfather), part of which celebrates the elm:

And the elm — the patriarch of the family of shade, the majestic, the umbrageous, the antlered elm! We remember one at this moment — in sight from our own home on the banks of the Pemigewassett. It stood just across that cold stream, by the roadside, on the margin of the wide intervale. It stood upon the ground as lightly as though “it rose in dance,” its full top bending over toward the ground on every side with the dignity of the forest tree, and all the grace of the weeping willow. You could gaze upon it for hours. It was the beautify handy-work and architecture of God, on which the eye of man never tires, but always looks with refreshing and delight.

Julia herself extolled the glories of a New England village lined with elms:

Especially impressive to me was the little village whose main street forms the frontispiece of this volume. It is hardly what you would eall a populous village. There is just this one long avenue, with a few little feints at cross streets; no railroad, no factory, no noise, no bustle—just the quiet industries of a village whose commerce is with the thrifty farmer folk round about. It is not a village you could duplicate in the west, for the houses are century old, solidly built, and mostly innocent of paint. There are lilacs, purple and white, leaning up against the houses, and quaint, old-fashioned gardens shut in behind low picket fences.

The glory of the old place is its double row of superb American elms, which arch above the long street, intermingling their tops, and making of it a shadowy aisle with vaulted arches, like some vast cathedral. Long ago the villagers dug little trees im the neighboring woods and lined the road on both sides with them. Then they let them alone! Violets and ferns came with them from the woods, and spread undisturbed in their new environment. To-day they may still be seen among the gnarled roots of the patriarchal trees, springing out here and there as they have been doing for a hundred years.

Alas, the elms are long gone now, relics of another age.

Jul 082023
 

Nothing in nature is isolated. Everything is somehow connected with everything else. There is interaction everywhere between climate and plant life, between plants and insects, between insects and higher animals, and in that way the chain of life runs on and on. The organic is linked to the inorganic; the whole universe is one.

This passage opens a brief essay on the distribution of trees in North America in Lange’s work. It captures that nascent ecological vision that quite a few early 20th-century naturalists observed and pondered. It also stands out in a work that, while well-crafted, is directed toward an audience of older children, to encourage them to get outdoors and appreciate its wonders. Indeed, Lange served at various times in his life as a supervisor and a director of nature study programming in Minnesota. At the time his book was published, he was serving as principal of the Mechanic Arts High School in St. Paul.

I was excited to discover this title a few months ago, because for the considerable sweep of time this blog covers (almost 100 years, from 1850 to WW2), so many parts of the country remain unrepresented by nature writers. I have found dozens in Massachusetts, for example, but very few in Connecticut. Up until this book, I had not found any from the Upper Midwest. Lange, himself, was not a native. He was born in Bonstorf, Germany on June 2nd, 1863, traveling with his family to Minnesota at age 18. He held various teaching and principal positions in and around St. Paul throughout his adult years. He wrote at least fifteen works of both fiction (often featuring boy scouts) and non-fiction (nature-themed, particularly birds). He also published a handbook of nature study for teachers and pupils in the elementary grades. He died in St. Paul in 1940 of unknown causes.

As a nature writer, Longe was eager to encourage young people to “observe, investigate, and enjoy” nature. He listed among his own inspirations the works of Thoreau, Burroughs, Muir, Dallas Lore Sharp, and Gilbert White. Elsewhere, he quoted Bradford Torrey, mentioned C.C. Abbott, and recommended Ernest Ingersoll’s book, “Nature’s Calendar” (blog review coming soon). On the whole, he spoke up for environmental conservation at a time when relatively few animals (apart from birds) were given any protection. He called for game laws to protect bears, for instance, and also protections for orchids (which were being driven extinct by enthusiastic collectors and bouquet gatherers). “It was, perhaps, natural that in the pioneer stage of our country everybody should have been allowed to cut, pick, and burn; to kill, trap, and catch as he pleased,” Lange wrote. “We have now conquered the continent, and the days of the pioneer are gone, but we are still altogether too much a nation of destroyers and exploiters of all that is useful and beautiful in our land.” But lest we exalt Lange too highly, this nature writer who found a place in his heart (and in natural ecosystems) for giant ragweed also argued that the extinction of venomous snakes was “desirable”.

In keeping with Lange’s calling as a nature study teacher, the book includes an appendix on outdoor nature study, with questions to encourage students to engage with the natural world around them.


My copy of this book has considerable text on the flyleaf. As well as I can discern the writing, it reads “Merry Christmas to my friend Henry Horowitz. D. Lange. 1936. Ryan Hotel, December 23, 1936.” I pursued this puzzle a bit further, locating a circa 1900 postcard of the opulent Ryan Hotel in St. Paul, which stood downtown from 1885 until it was demolished in 1962 (see below). I even found a potential recipient of the dedication. Henry Alchanon Horowitz (1906-1990) was living at the time in Sheboygan, Wisconsin. It could be him, though I would have felt more confident to have located someone living in Minnesota at the time.

Jun 202022
 

The book that started me on this peculiar quest to resurrect long-dead obscure nature writers was In American Fields and Forests, published by Houghton-Mifflin in 1909. It was an anthology of six American nature writers. Two have retained their renown to this day — Henry David Thoreau and John Muir. One was quite famous at the time and, though largely forgotten today, still has several works in print — John Burroughs. (He will soon become a regular in this blog — more on that anon.) The remaining three are lost to the history of nature writing, though I hope to change that in some small way. They were Bradford Torrey, Dallas Lore Sharp, and Olive Thorne Miller. I have already read several books by Torrey and Sharp (with others waiting on my shelf). But I have been putting off Olive Thorne Miller, until now.

Harriet Mann Miller (1831-1918) published several books on birds under the pen name of Olive Thorne Miller. She had a fairly uneventful childhood (apart from moving every few years), then married Watts Todd Miller, bore and raised four children, and wrote several children’s books. She was introduced to ornithology by Sara Hubbard (director of the Illinois Audobon Society) in 1880 and quickly became an avid bird watcher. She wrote eleven bird books between 1885 and 1904. I have obtained four but have been putting them off for one simple reason: I hereby confess that I am not a birder. I appreciate birds — their colorful forms, fascinating behaviors, lovely songs (and raucous cries). I am particularly fond of American cranes, sandhill and whooping. Hawks and eagles are stunning, and the intelligence of crows gives me pause. But I cannot identify birds by call, and I have a minimal capacity for spotting birds calling in dense foliage. I know a dozen bird species — and a dozen more that are found along the Maine Coast, courtesy of a summer narrating puffin tours for Project Puffin many years back. But I am quite frankly intimidated by birders — their expensive cameras with telephoto lenses that look like they might have cost more than my house, their fascination with life lists, and their stunning capacities for identifying birds from faint calls or a momentary flash of color in a tree. OK, I admit it: they intimidate me. I will stick to insects and plants. I have yet to meet a botanist with special camera equipment to capture chestnut trees or May apples, bearing a life-list of plant species they have encountered or able to identify any plant from the merest fragment of a leaf.

So I have been putting off reading Miller’s work, even while I managed to accrue four of her titles, including her first and last bird books (Little Brothers of the Air was her second one.) I am doing my best to track down early women natural history writers, of which there were quite a few. So I didn’t want to ignore her completely. And Torrey was mostly an ornithologist, so I have already read books laden with passing bird descriptions. In an age before photography was readily available and easy to use in the field, ornithological writers provided rich text descriptions of the birds they saw — all of which fled my mind the moment I read them. Torrey’s books don’t have illustrations, and neither does this volume by Miller. So text is practically all there is to paint the scene and the feathered beings inhabiting it.

I am proud to say that I survived Little Brothers of the Air, though I am in no hurry to read the remaining three books of hers in my collection. She was a fine writer and notable for her independence and spirit of scientific inquiry. While some of her field outings were accompanied by a companion or two (usually female), many of her nature outings were solitary affairs. She was highly dedicated to closely observing birds, which might mean watching a nest through an opera-glass for one or two weeks at a time (or even, in one case, two months!). (“One must be an enthusiast to spy out the secrets of a bird’s life,” she remarks at one point.) Here she describes the privations she underwent in her nature studies:

Didst ever, dear reader, sit in one position on a camp-stool without a back, with head thrown back, and eyes fixed upon one small bird thirty feet from the ground, afraid to move or turn your eyes, lest you miss what you are waiting for, while the sun moves steadily on till his hottest rays pour through some opening directly upon you; while mosquitoes sing about your ears (would that they sang only!), and flies buzz noisily before your face; while birds flit past, and strange notes sound from behind; while rustling in the dead leaves at your feet suggests snakes, and a crawling on your neck proclaims spiders? If you have not, you can never appreciate the enthusiasms of a bird student, nor realize what neck-breaks and other discomforts one will cheerily endure to witness the first flight of a nestling.

The volume is a collection of vignettes of bird behavior, particularly nesting. Some chapters chronicle her observations of a particular nest, from construction through the fledging of the young — or not. She reported that, over a season, about half the nests she watched failed to produce young, often due to the depredations of chipmunks, other birds, or a couple of neighbor boys who stole eggs from nests. Other chapters are based on her travels in New England. She would stay in a friend’s cabin and set out every day to make her acquaintance with all the bird species in the area. Along the way, she might also describe the landscape and vegetation features, offering a delightful reprieve from all the feathers flying.

Occasionally, too, she would complain about something; I enjoyed this feisty side to her nature. She complained about farmers logging their wood lots, though she admitted that the lumber provided a valuable income from their point of view. She complained about farmers replacing old zig-zag stone walls with barbed wire fences: “Nature doesn’t take kindly to barbed wire.” She complained vigorously about the lack of nature knowledge among country folk: “A chapter might be written on the ignorance of country people of their own birds and plants. A chapter, did I say? A book, a dozen books, the country is full of material.” Finally, she also complained about how naturalists like to name everything (a bit ironic, given her own tendency to do so):

Why have we such a rage for labeling and cataloguing the beautiful things of Nature? Why can I not delight in a bird or flower, knowing it by what it is to me, without longing to know what it has been to some other person? What pleasure can it afford to one not making a scientific study of birds to see such names as “the blue and yellow-throated warbler,” “the chestnut-headed golden warbler,” “the yellow-bellied, red-poll warbler,” attached to the smallest and daintiest beauties of the woods?

Before I close the covers of this unassuming green cloth volume with gilt letters on the cover, I ought to say a few words about Miller’s descriptive style. Her careful observation of birds is evident on every page. However, she also frequently goes beyond mere action to interpretation — investing particular behaviors with motivations. Frequently, those motivations mirror human ones. Sometimes, the result is a bit disconcerting to the modern reader, used to reading about birds as non-human beings rather than as quasi-human persons. For example, she describes a male kingbird as singing to his mate while she is brooding her eggs to encourage her in the task. Elsewhere, she describes a young bluebird who “talked with himself for company, a very charming monologue in the inimitable bluebird tone. with modifications suggesting that a new and wonderful song was possible to him. He was evidently too full of joy to keep still.” On rare occasions, she endeavors to offer justification for her accounts. For example, in one of the last essays in the volume, she describes the behaviors of a pair of goldfinches. The female sat on the eggs, and the male would show up whenever she called to him. He would fly above her, trying to locate other birds that might be annoying her.

Sometimes that conduct did not reassure the uneasy bird, and she called again. Then he brought some tidbit in his beak, went to the edge of the nest, and fed her. Then she was pacified; but do not mistake her, it was not hunger that prompted her actions; when she was hungry, she openly left her nest and went for food. It was, as I am convinced. the longing desire to know that he was near her, that he was still anxious t serve her, that he had not forgotten her in her long absence from his side. This may sound a litle fanciful to one who has not studied birds closely, but she was so “human” in all her actions that I feel justified in judging of her motives exactly as I should judge had she measured five feet instead of five inches, and wore silk instead of feathers.”

Miller’s confidence in drawing such brazen parallels between bird behavior and human behavior does strike me as somewhat far-fetched at times. Of course, one could argue that this kind of personification of animals was common back then and would only become more pronounced by the time of the “nature faker” controversy a decade later. Furthermore, whatever the actual motives behind them, the birds’ actions themselves were painstakingly observed and (generally speaking) accurately described. I am confident, too, that her books encouraged many a reader to take up a notebook and opera-glass, and venture into the local woods and fields.

My copy of Little Brothers of the Air is in great condition for its age. The blank page after the flyleaf bears the signature of Lydia Bell Moscrif, June, ’97.

Jun 142022
 

Having revisited Bradford Torrey, it seemed only proper (and fair) that I do the same for Dallas Lore Sharp, another fairly renowned (relatively speaking) of the nature essayists of natural history’s golden age. Sharp is probably most known (again, in a relative sense) for his essay, “Turtle Eggs for Agassiz” (in another volume of his, still waiting on the shelf), in which he collects turtle eggs to send to the renowned biologist, Louis Agassiz. While Torrey (and so many others) were actively writing in the 1880s and 1890s, Sharp (1870-1929) was a “late bloomer” who published his first nature book in 1901. As such, he was positioned at the height of the Nature-Study Movement and was able to survey its origins, expression, and impacts on American culture. Indeed, some of his finest essays in The Lay of the Land explore this theme. (Most of the rest of the essays offer themes relating to the various seasons of the year, from “Christmas in the Woods” to “High Noon” (late summer). Although I naturally associate Sharp with Torrey, they are dramatically different as authors. Torrey rambles through the woods and fields, making discoveries along the way; the reader often joins him on his adventures without knowing where he might end up. Sharp has a central theme about which the essay is tightly constructed; though many animals and plants may appear along the way, the central image or idea is never far from view. The prose is composed of refreshingly simple sentences, the kind that would have been to Hemmingway’s liking. There are no thickets of convoluted text here. Each essay has a refreshing clarity that goes down like a dipperful of cool water from a mountain stream. Here, for instance, is Sharp’s closing paragraph from his opening essay, “The Muskrats Are Building”:

The muskrats are building; the last of the migrating geese have gone over; the wild mice have harvested their acorns; the bees have clustered; the woodchucks are asleep; and the sap in the big hickory by the side of the house has crept down out of reach of the fingers of the frost. I will put on the storm-doors and the double windows. Even now the logs are blazing cheerily on the wide, warm hearth.

There is no affectation here, no mystery as to the intended meaning. But there is still plenty of room left for wonder, joy, and poetry. “As I watch the changing seasons…across the changeless years,” Sharp observes in that same essay, “I seem to find a scheme, a plan, a purpose, and there are weeds and winters in it, and it seems divine.” Through observing and celebrating everyday events and phenomena, Sharp finds “something close akin to religion,” that

…is a inspiration, the kind of experience one has in living with the out-of-doors. It doen’t come from books, from laboratories, not even from an occasional tramp afield. It is out of companionship with nature that it comes; not often, perhaps, to any one, nor only to poets who write. I have had such experiences, such moments of quiet insight and uplift, while in the very narrowest of the paths of the woods.

As may already be evident to the reader, Sharp’s vision of nature study combines two elements: biological knowledge (science) and inspiration for the spirit (poetry). Both are essential to engaging meaningfully with the natural world. ” A botanist who is never a poet misses as much in the out-of-doors as a poet who is never botanist.” Elsewhere, Sharp declares that “Nature study is the out-of-door side of natural history, the unmeasured, unprinted side of poetry. It is joy in breathing the air of the fields; joy in seeing, hearing, living the life of the fields; joy in knowing and loving all that lives with you in your out-of-doors. The best nature-study books, therefore, “appeal to sentiment as well as to sense” and are “very unlike the earlier desiccated, unimaginative treatises.”

How does one become a student of nature? The pathway into nature study begins with close observation over time in a particular place. “Let us learn to see and name first. The inexperienced, the unknowing, the unthinking cannot love. One must live until tired, think until baffled, before he can know his need of Nature.”

The first necessity for interesting nature study is an intimate acquaintance with some locality. It does not matter how small, how commonplace, how near the city, — the nearer the better, provided there are trees, water, fences, and some seclusion. If your own roof-tree stands in the midst of it, then that is ideal.

The true nature student is literally at home in nature, cognizant of its many moods and aware of the comings and goings of all the creatures — neighbors — who share that space with him. He observes the daily development of seedlings and flower buds, watches birds building their nests, and notices the muskrats constructing their winter lodges. With close inspection of and engagement with nature over the long years, a beautiful pattern emerges, “and there are weeds and winters in it, and it seems divine.”

My copy of The Lay of the Land is nearly pristine; there are no marks of past ownership. There is a small bookseller stamp on the flyleaf’s lower left. This book was originally sold in Boston, by a company owned and operated by Charles Emelius Lauriat (1842-1920). HIs son (Charles Emelius Lauriat, Jr. — 1874-1937) was among the survivors of the sinking of the Lusitania in May 1915, seven years after this book was published.